ACMR Bibliography
"Aaron Avshalomov and New Chinese Music in Shanghai, 1931-1947." Twentieth-Century China 37, no. 1 (2012): 50-72.
"The Construction of Āmānnisā Khan as a Uy-Ghur Musical Culture Hero." Asian Music 43, no. 1 (2012): 64-90.
"Divide and Connections in Chinese Musical Modernity: Cases of Musical Networks Emerging in Colonial Shanghai, 1919-1937." Twentieth-Century China 37, no. 1 (2012): 30-49.
Beyond 'Innocence' : Amis Aboriginal Song in Taiwan as an Ecosystem In Soas Musicology Series. Burlington: Ashgate, 2012.
Chinese Entertainment. London: Routledge, 2012.
The Instrumental Music of Wutaishan's Buddhist Monasteries : Social and Ritual Contexts In Soas Musicology Series. Burlington, VT: Ashgate, 2012.
"混合乐种和文化的融和：中西融合协奏曲在香港的发展 (Hunhe Yue Zhonghe Wenhua De Ronghe: Zhongxi Ronghe Xiezouqu Zai Xianggang De Fazhan)." [Hybrid Genres and Blending Cultures: Chinese-Western Fusion Concerto Development in Hong Kong]." Journal of the Central Conservatory of Music (中央音乐学院学报) 3 (2011): 31-43.
"To Sing for the Nation: Japan, School Song and the Forging of a New National Citizenry in Late Qing China, 1895-1911." New Zealand Journal of Asian Studies 13, no. 2 (2011): 36-51.
"Ahabala in China's Mosuo Society: Performance, Representation and Meaning." Asian musicology 17 (2011): 53-104.
"Communication and Responsibility: Open Universities in China and Community Music Education." International journal of community music 4, no. 1 (2011): 15-21.
"Connections in China: Harmonizing Stories of Community Music from around the World." International journal of community music 4, no. 1 (2011): 7-14.
"Long Live the Revolution? The Changing Spirit of Chinese Rock." In Popular Music and Human Rights. Vol. II: World Music, edited by Ian Peddie, 131-46. Burlington, VT: Ashgate, 2011.
Nomadic Amdo Tibetan Glu Folk Songs within the Settings of Tibetan Culture, History, Theory, and Current Usage. Vol. M.A. thesis. Bethel University, 2011.
Selected Solo Piano Works Be Five Taiwanese Women Composers Born between 1970 and 1973 : Yu-Hui Chang, Chi-Sun Lee, Ling-Huei Tsai, Ching-Wen Chao, Mei-Fang Lin. Vol. D.M.A. dissertation. University of Illinois at Urbana-Champaign, 2011.
"Students' Motivation to Study Music: The Mainland China Context." Research studies in music education 33, no. 1 (2011): 59-72.
A Study of Buddhist Music and Instrument (Ghanta). Vol. Ph. D. dissertation. University of the West, 2011.
A Study on the Thematic, Narrative and Musical Structure of Yuan Zaju Injustice to Dou E.. Vol. Ph.D. dissertation. University of Otago, 2011.
Twentieth Century Piano Transcriptions, Based on Traditional Chinese Folk Instruments and Melodies. Vol. D.M.A. dissertation. Peabody Conservatory, 2011.
Chinese Music. 3rd ed. Cambridge: Cambridge University Press, 2011.
Chinese Music In Introductions to Chinese Culture. Updated ed. New York: Cambridge University Press, 2011.
Chinese-Western Hybrid Music Development in Australia as Exemplified through the Life and Works of Julian Yu. Vol. MMusPerf thesis. University of Melbourne, 2011.
An Analysis of Sociomusicology, Its Issues; and the Music and Society in Hong Kong. Hong Kong: Ko Ka Shing, 2011.
Big in China : My Unlikely Adventures Raising a Family, Playing the Blues, and Reinventing Myself in Beijing. New York: Harper Collins, 2011.
Chinese Music and Musical Instruments. New York, NY: Better Link Press, 2011.
Red Rock : The Long, Strange March of Chinese Rock & Roll. Hong Kong: Earnshaw Books, 2011.