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Vocal music and contemporary identities: unlimited voices in East Asia and the West. Routledge research in music ;; 3; Variation: Routledge research in music ;; 3. New York ; London: Routledge, 2013.
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Popular culture in Asia: memory, city, celebrity / Lent, John A.. Houndmills, Basingstoke: Palgrave Macmillan, 2013.
Aaron Avshalomov and New Chinese Music in Shanghai, 1931-1947." Twentieth-Century China 37, no. 1 (2012): 50-72."
The Construction of Āmānnisā Khan as a Uy-Ghur Musical Culture Hero." Asian Music 43, no. 1 (2012): 64-90."
Divide and Connections in Chinese Musical Modernity: Cases of Musical Networks Emerging in Colonial Shanghai, 1919-1937." Twentieth-Century China 37, no. 1 (2012): 30-49."
A cultural history of the Chinese language. Jefferson, N.C.: McFarland & Co., 2012.
Beyond 'Innocence' : Amis Aboriginal Song in Taiwan as an Ecosystem In Soas Musicology Series. Burlington: Ashgate, 2012.
Chinese Entertainment. London: Routledge, 2012.
A continuous revolution: making sense of Cultural Revolution culture. Harvard East Asian monographs ;; 343; Variation: Harvard East Asian monographs ;; 343. Cambridge, Mass.: Harvard University Asia Center, 2012.
Encounters: musical meetings between China and Australia. Toowong, Qld.: Australian Academic Press Group, 2012.
The Instrumental Music of Wutaishan's Buddhist Monasteries : Social and Ritual Contexts In Soas Musicology Series. Burlington, VT: Ashgate, 2012.
Music, cosmology, and the politics of harmony in early China. SUNY series in Chinese philosophy and culture; Variation: SUNY series in Chinese philosophy and culture. Albany: State University of New York Press, 2012.
Youth culture in China: from Red Guards to netizens. New York: Cambridge University Press, 2012.
Zhongguo yin yue kao gu 80 nian = A review of Chinese musical archaeology in the last 80 years. Shanghai: Shanghai yin yue xue yuan chu ban she, 2012.
混合乐种和文化的融和：中西融合协奏曲在香港的发展 (Hunhe Yue Zhonghe Wenhua De Ronghe: Zhongxi Ronghe Xiezouqu Zai Xianggang De Fazhan)." [Hybrid Genres and Blending Cultures: Chinese-Western Fusion Concerto Development in Hong Kong]." Journal of the Central Conservatory of Music (中央音乐学院学报) 3 (2011): 31-43."
To Sing for the Nation: Japan, School Song and the Forging of a New National Citizenry in Late Qing China, 1895-1911." New Zealand Journal of Asian Studies 13, no. 2 (2011): 36-51."
Ahabala in China's Mosuo Society: Performance, Representation and Meaning." Asian musicology 17 (2011): 53-104."
Communication and Responsibility: Open Universities in China and Community Music Education." International journal of community music 4, no. 1 (2011): 15-21."
Connections in China: Harmonizing Stories of Community Music from around the World." International journal of community music 4, no. 1 (2011): 7-14."
Long Live the Revolution? The Changing Spirit of Chinese Rock." In Popular Music and Human Rights. Vol. II: World Music, edited by Ian Peddie, 131-46. Burlington, VT: Ashgate, 2011."
Nomadic Amdo Tibetan Glu Folk Songs within the Settings of Tibetan Culture, History, Theory, and Current Usage. Vol. M.A. thesis. Bethel University, 2011.
Selected Solo Piano Works Be Five Taiwanese Women Composers Born between 1970 and 1973 : Yu-Hui Chang, Chi-Sun Lee, Ling-Huei Tsai, Ching-Wen Chao, Mei-Fang Lin. Vol. D.M.A. dissertation. University of Illinois at Urbana-Champaign, 2011.
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