Media-Space: The Constructed Experience of International Pop Music in Contemporary China. Vol. A.B. thesis. Harvard University., 2004.
The Qin in China from the Han Dynasty to the Present." In The Resonance of the Qin in East Asian Art (Catalogue of the exhibition of the same name held at the China Institute, New York City, 17 September–12 December 1999), edited by May Lee J. Barrett, 27-34. New York: China Institute, 1999."
A Study of Three Famous Compositions for the Chinese Long Zither. Vol. M.A. thesis. Goddard College, 1975.
The Muqam in Modern Uyghur Life. Vol. Honors thesis. Oklahoma Baptist University, 2006.
The Construction of Āmānnisā Khan as a Uy-Ghur Musical Culture Hero." Asian Music 43, no. 1 (2012): 64-90."
A Study on the Thematic, Narrative and Musical Structure of Yuan Zaju Injustice to Dou E.. Vol. Ph.D. dissertation. University of Otago, 2011.
Hearing things: Performance and lyric imagination in Chinese literature of the early ninth century. Vol. Ph.D. dissertation. Harvard University, 1997.
China's New Voices: Popular Music, Ethnicity, Gender, and Politics, 1978-1997. Berkeley: University of California Press, 2003.
Between Alterity and Identity: New Voices of Minority People in China." Modern China 27, no. 3 (2001): 359-401."
From the Margins to the Center: The Uyghur Challenge in Beijing." The China Quarterly 175 (2003): 726-50."
Connections in China: Harmonizing Stories of Community Music from around the World." International journal of community music 4, no. 1 (2011): 7-14."
Hua-Chien Chi: Songs of Tenth-Century China: A Study of the First 'Tz'u' Anthology. Vol. Ph.D. dissertation. Harvard University, 1952.
Music in the Life of Ancient China: From 1400 B.C. to 300 B.C.. Vol. Ph.D. (Oriental language. University of Chicago, 1957.
Music in the Life of Ancient China as Reflected in the Ceremonial Books the I Li, the Chou Li, the Li Chi. Vol. M.A. (Oriental languages. University of Chicago, 1954.
China's new voices: Politics, ethnicity, and gender in popular music culture on the mainland, 1978-1997. Vol. Ph.D. dissertation. University of Pittsburgh, 1997.
Global Rhythms: Youth, Music, and Identity in the 21st Century. Vol. A.B. Honors thesis. Rollins College, 2009.
China's bawdy : the pop songs of China, 4th-5th century. Cambridge, UK: McGuiness China Monographs, 2008.
A Critical Study of San-Hsia Wu-Yi and Relationship to the Lung-T'u Kung-An Song-Book. Vol. Ph.D. dissertation. University of Pennsylvania, 1977.
The Capacity of Folk Song to Reveal Complexities in Mosuo Culture. Vol. Ph.D. dissertation. Claremont Graduate University, 2004.
Chinese Musical Instruments: A Study of Musical Instruments Depicted in Chinese Works of Art in Twenty Western Museums. Vol. M.A. thesis (music). American University, 1982.
Modernization and Music in Contemporary China: Crisis, Identity, and the Politics of Style. Vol. Ph.D. dissertation. University of Texas at Austin, 1992.
The Teaching of Music in Nine Asian Nations: Comparing Approaches to Music Education. Lewiston, NY: E. Mellen Press, 2006.
Music, cosmology, and the politics of harmony in early China. SUNY series in Chinese philosophy and culture; Variation: SUNY series in Chinese philosophy and culture. Albany: State University of New York Press, 2012.
Chinese Aria Studies. Vol. Ph.D. dissertation. University of Washington, 1968.
All Aboard for Chinatown: Stereotypes of Chinese and Chinatown in Popular Music. Vol. M.A. thesis. San Francisco State University, 2003.